Gamma mutates are usually the result of exposure of gamma radiation to individuals who possess the "gamma gene" ("apparently the factor that caused superhuman mutation with gamma exposure") which allows them to convert gamma radiation into a mutagenic change. In some cases, the change is permanent. In others, the change can occur when desired or under stimuli. The mutation is usually indicated by green coloration.
Variations in the mutations
The type and extent of mutation is allegedly determined by three factors: the frequency and amount of the gamma rays, the subject's latent mutant potential, and the subject's psychological make-up.
These factors contributed to the extremely non-human appearance of the Abomination, the Neanderthal-like appearance of the Hulk, and the relatively normal appearance of Doc Samson, whose only aberration is his hair color. Why gamma radiation tends to produce mutate forms of a greenish hue is not yet known.
Gamma Radiation factor
As is apparent by comparing the mutated forms of such gamma radiation subjects as the Hulk, the Abomination, She-Hulk, Doc Samson, and the Leader, different frequencies of gamma radiation affect different human beings in different ways. The effect that intensive gamma radiation has on most people is cellular deterioration and eventual death, but there are others whose genetic constitution enables them to mutate so as to gain superhuman powers.
The subject's potential for mutation is dictated by certain mysterious "interstitial" segments of DNA (deoxyribonucleic acid), the molecules which carry a living organism's genetic code. Under the action of mutagenic influences, such as gamma rays, the segments can trigger many body wide restructuring events.
As for the subject's psychological make-up, it has been theorized that the gamma radiation somehow acts to mold the subject's mutated form according to repressed desires within his subconscious. Hence, Doc Samson's mutated form is the physical embodiment of his own long-buried desire to become a super heroic figure.
The One Below All
It was later discovered that Gamma Radiation itself had a mystery element. A state described by Brian Banner as being neither a wave or a particle. This element turned out to be energy or power produced by the One Below All. Brian went on to state to Bruce in the Below Place that this third form of Gamma energy was a divine emanation produced by the one below all and was essentially like magic in that it could affect and alter reality regardless of the laws of science and nature. Puck speculated that in this state, altered by the One Below All, is when Gamma energy is able to create "metaphor people" and is the primary reason why Gamma Mutates can be drastically different with abilities influenced by their conscious and unconscious minds. All Gamma mutates posses a Green Door within them that acts as a portal to the Below Place and a gate that the One Below All can reach through to increase its influence over events in the multiverse.
List of known Gamma Mutates
- See the Gamma Ray Mutates.
- ↑ 1.0 1.1 1.2 World War Hulk: Gamma Files #1
- ↑ Silent War #4
- ↑ X-Men: The 198 Files #1; Match entry
- ↑ 4.0 4.1 Immortal Hulk #12
- ↑ Immortal Hulk #20
- ↑ Immortal Hulk #13
High-energy electromagnetic radiation that in large doses is lethal to most living beings. During the experimental detonation of a Gamma Bomb, scientist Dr. Bruce Banner was hit with the blast, absorbing massive amounts of gamma radiation. The radiation enhanced his body so whenever he became enraged he changed into the "Hulk". After Jennifer Walters was injured Banner provided his own blood for a transfusion; as they already shared the same blood type and DNA, his radioactive blood, combined with her anger transformed Jennifer into the green-skinned She-Hulk.
Todd Ziller was a volunteer in the new Super-Soldier process. They could not recreate the serum so used existing transformative substances. The final result included Gamma enhancements, Mutant Growth Hormone, Pym Particles and the Connors Formula. The resulting application of the serum in Ziller's body turned him into a giant reptile similar to Godzilla, for which he was given the alias of "American Kaiju."
Marvel Cinematic Universe (Earth-199999)
Bruce Banner experimented with gamma radiation in hopes of making soldiers immune to radiation poisoning, as per his agreement with Thaddeus Ross, and accidentally turned himself into the Hulk in the process.
The Tesseract is mentioned to emit traces of gamma radiation, leading to the recruitment of Bruce Banner to assist in finding it. When Tony Stark and Banner discuss their relative "handicaps", Stark cites that the Hulk saved Banner's life, because any other human would have died absorbing that much gamma radiation.
Gamma radiation is one of the components of the Centipede Serum, an item designated to give a person superhuman abilities: The rest of the components are the Extremis virus, a variation of the Super Soldier Serum and technology from the Chitauri for injection.
- ↑ Incredible Hulk #1
- ↑ Savage She-Hulk #1
- ↑ New Avengers Vol 4 #9
- ↑ The Incredible Hulk (2008 film)
- ↑ Marvel's The Avengers
- ↑ Marvel's Agents of SHIELD
Having to do with the genes, the section of a cell of a living being that contains the molecule DNA (deoxyribonucleic acid), which controls the transmission of hereditary characteristics from parent to offspring.
The study of the process of heredity of physical characteristics in living organisms.
Terrakinesis, also known as Geokinesis, is the ability to mentally manipulate the earth.
For a list of characters who can control the mineral components of the earth, see Category:Geokinesis.
The astral body of a being who has died.
A humanoid being with a longer lifespan and greater physical powers than human beings, whose kinsmen or self has once been worshipped by humanity. Some races of gods, such as the Olympians, are for all practical purposes, immortal. All races of gods now dwell on some extra dimensional world, although they may have lived on Earth in ancient times. There seems to be a special connection between the gods who were once worshipped on Earth and Earth itself.
Golden Age of Comic Books
The Golden Age of Comic Books was a period in the history of American comic books, generally thought as lasting from 1938 until the mid-1950s during which comic books enjoyed a surge of popularity, the archetype of the superhero was created and defined, and many of the most famous superheroes debuted.
Comic-book fans and historians widely agree that the Golden Age began no later than 1938 with the debut of Superman in Action Comics #1, published by DC Comics. Superman, the first comic book superhero, was so popular that superheroes soon dominated the pages of comic books. Between early 1939 and late 1941, Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles that featured the Human Torch, the Sub-Mariner, and Captain America.
Although DC and Timely characters are more famous today, circulation figures suggest that in the 1940s the best selling superhero may have been Fawcett Comics' Captain Marvel. According to the article "Thunderstruck" by Ben Morse in Wizard #179 (September 2006):
By the mid 1940s, Fawcett Comics' Captain Marvel Adventures, starring the original "Shazam!"-shouting hero, sold roughly 1.4 million copies per issue, making it the most widely circulated comic book in America. Captain Marvel's sales soundly trounced Superman's self-titled series and Action Comics alike.
World War II had a significant impact. Comic books, particularly superhero comics, gained immense popularity during the war as cheap, portable, easily read tales of good triumphing over evil. Comic book companies showcased their heroes battling the Axis Powers; covers featuring a superhero punching Adolf Hitler or fighting buck-toothed Japanese soldiers have become icons of the age.
End of the era
(See Also: The Golden Age of Comic Books Podcast,Mikel Midnight's Golden Age Directory,The Golden Age-online reprints of public domain Golden Age Comics, AIBQ Comic Book Archive)
The grandfather paradox is a paradox of time travel, first conceived by the science fiction writer René Barjavel in his 1943 book "Le Voyageur Imprudent" ("The Imprudent Traveller"). The paradox, stated in the second person, is this: Suppose you traveled back in time and killed your biological grandfather before he met your grandmother. As a result, one of your parents (and by extension, you) would never have been conceived, so you could not have traveled back in time after all. In that case, your grandfather would still be alive and you would have been conceived, allowing you to travel back in time and kill your grandfather, and so on. According to this theory you would be stuck in an endless time-loop from which there would be no possible escape. You would, however, never know of this loop.
An equivalent paradox is known (in philosophy) as autoinfanticide — that is, going back in time and killing oneself as a baby.
The grandfather paradox has been used to argue that backwards time travel must be impossible. However, other resolutions have also been advanced.
Parallel universes resolution
There could be "an ensemble of parallel universes" such that when you travel back in time and kill your grandfather, you do so in a parallel universe in which you will never be conceived as a result. However, your existence is not erased from your original universe.
In the Marvel Universe, any change made to the timeline results in an alternate timeline. Some characters know this and use it to their advantage (such as Vance Astro of the Guardians of the Galaxy, whose timeline shift allowed an alternate self to become Justice.)
A graphic novel (GN) is a long-form work in the comics form, usually with lengthy and complex storylines, and often aimed at mature audiences. In contrast to the familiar comic magazines, a graphic novel is typically bound using materials of more durable qualities, using a light card stock for softcover bindings or a heavier card for the hardback editions, enclosed in a dust jacket. Graphic novels generally are sold in bookstores and comic book shops, rather than on comic books' original point of sale, newsstands. The term can also encompass a short story collection, or collected issues of previously published comic books republished in a single large volume.
Comic works created and published as a single narrative, without prior appearance in magazines, comic books or newspapers, are called original graphic novels (OGN).
The evolving term "graphic novel" is not strictly defined, and is sometimes used, controversially, to imply subjective distinctions in artistic quality between graphic novels and other kinds of comics. It suggests a story that has a beginning, middle and end, as opposed to an ongoing series with continuing characters; one that is outside the genres commonly associated with comic books, and that deals with more mature themes. It is sometimes applied to works that fit this description even though they are serialized in traditional comic book format. The term is commonly used to disassociate works from the juvenile or humorous connotations of the terms "comics" and "comic book", implying that the work is more serious, mature, or literary than traditional comics. Following this reasoning, the French term "Bande Dessinée" is occasionally applied, by art historians and others schooled in fine arts, to dissociate comic books in the fine-art tradition from those of popular entertainment, even though in the French language the term has no such connotation and applies equally to all kinds of comic strips and books.
In the publishing trade, the term is sometimes extended to material that would not be considered a novel if produced in another medium. Collections of comic books that do not form a continuous story, anthologies or collections of loosely related pieces, and even non-fiction are stocked by libraries and bookstores as "graphic novels" (similar to the manner in which dramatic stories are included in "comic" books).
Whether manga, which has had a much longer history of both novel-like publishing and production of comics for adult audiences, should be included in the term is not always agreed upon. Likewise, in continental Europe, both original book-length stories such as La rivolta dei racchi (1967) by Guido Buzzeli, and collections of comic strips have been commonly published in hardcover volumes, often called "albums", since the end of the 19th century.
(See Also: Trade paperback, Comic book)
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